I got lucky. The woman in my life won two free tickets to see some Texans* rock out, so that’s what we did last night. I woke up in a crusty state of being this morning. She kissed me goodbye and left the house in her cute new coat (The light-brown buttons are mushroom-shaped). A few hours later, I’m on a north-facing park bench digesting my Atomica breakfast (scrambled eggs, bacon, hash browns and flat white) wondering if that coat of hers was really worth it. It’s a beautiful autumn day.
* At one point I remarked on how the singer’s schtick is stretching alliterative phrasing into pliable melodies, but no one seemed to give a shit.
Monday, May 18, 2009
Thursday, May 14, 2009
Zabriskie Point and The State of Things
Zabriskie Point
Corny-ass, hippy-dippy, drippy dumbshit lameness on a grand visual scale, culminating in an uncomfortable-looking sandstorm orgy in the desert. It’s enough to make you want to work for Rod Taylor’s housing developer (the film’s emblem of evil), but you no longer can, see his revolutionary daughter Daria exploded him so he be unable to make you an offer. Viva the Revolucion’!
The State of Things
A sluggishly hip, innocuous thing by Wim Wenders about a sci-fi movie that can’t get made, which is sad because it looks more fun than the one about the director who goes off in search of money to finish it which is what we’re watching! So, director leaves cast and crew in a drunken Lisbon stupor and flies to LA where he puts the top down and becomes Phillip Marlowe in an attempt to find the egregious moneybags. 1980, in black and white with pornographic synthesizers busted out at the most peculiar moments.
Corny-ass, hippy-dippy, drippy dumbshit lameness on a grand visual scale, culminating in an uncomfortable-looking sandstorm orgy in the desert. It’s enough to make you want to work for Rod Taylor’s housing developer (the film’s emblem of evil), but you no longer can, see his revolutionary daughter Daria exploded him so he be unable to make you an offer. Viva the Revolucion’!
The State of Things
A sluggishly hip, innocuous thing by Wim Wenders about a sci-fi movie that can’t get made, which is sad because it looks more fun than the one about the director who goes off in search of money to finish it which is what we’re watching! So, director leaves cast and crew in a drunken Lisbon stupor and flies to LA where he puts the top down and becomes Phillip Marlowe in an attempt to find the egregious moneybags. 1980, in black and white with pornographic synthesizers busted out at the most peculiar moments.
Sunday, May 10, 2009
Thursday, May 07, 2009
Ten Things You Probably Didn’t Know About A Movie You Have Probably Never Seen
• The name of this silent movie is "Haxan – Witchcraft through the Ages" and it came out in 1922. The execution of its niche objectives is a solid 8/10
• Be forewarned it will terrify your children
• The crazy-eyed red devils are tongue-darting pervs
• The juxtaposition of naked female tush with devils whose long sharp claws poke at them with tireless fervour is good image-making
• Narrative by director Benjamin Christenson has a pleasing ironic tone (I don’t have any examples except when he gets one of the cute actresses into a thumbscrew and pretends she likes it when in fact she is yelping)
• There are 7 parts to it
• The music (doubtlessly added retrospectively) suxx eggs and complaints regarding the badness of it were plentiful afterwards by the moviegoing contingency. A lot of silents have this problem. Makes you wonder if the movie would have been better off without it and I don’t think it woulda
• Did you know something like four million men and women were destroyed in the middle ages in the cruellest fashion for behaving in a way incomprehensible to doctors, monks and other God-fearing sucks? Hard to comprehend, I know, but once you put it into terms that people can understand such as Def Leppard would not have been able to make ‘Adrenalize’ after ‘Hysteria’ the full force of its destructive impact really hits home
• The advance of civilization was defined by the sophisticated techniques people were toasted and tortured with.
• The costume imagery and photography (brilliant blue for twilight and red for hell, plus sepia-tones for poor-house interiors) are so consistently great that you begin to lose interest in the whole operation, which is sad, but inevitable in a movie that contains no dramatic narrative or discernible flow
• Be forewarned it will terrify your children
• The crazy-eyed red devils are tongue-darting pervs
• The juxtaposition of naked female tush with devils whose long sharp claws poke at them with tireless fervour is good image-making
• Narrative by director Benjamin Christenson has a pleasing ironic tone (I don’t have any examples except when he gets one of the cute actresses into a thumbscrew and pretends she likes it when in fact she is yelping)
• There are 7 parts to it
• The music (doubtlessly added retrospectively) suxx eggs and complaints regarding the badness of it were plentiful afterwards by the moviegoing contingency. A lot of silents have this problem. Makes you wonder if the movie would have been better off without it and I don’t think it woulda
• Did you know something like four million men and women were destroyed in the middle ages in the cruellest fashion for behaving in a way incomprehensible to doctors, monks and other God-fearing sucks? Hard to comprehend, I know, but once you put it into terms that people can understand such as Def Leppard would not have been able to make ‘Adrenalize’ after ‘Hysteria’ the full force of its destructive impact really hits home
• The advance of civilization was defined by the sophisticated techniques people were toasted and tortured with.
• The costume imagery and photography (brilliant blue for twilight and red for hell, plus sepia-tones for poor-house interiors) are so consistently great that you begin to lose interest in the whole operation, which is sad, but inevitable in a movie that contains no dramatic narrative or discernible flow
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